The Mystery of Orcival
This early work by Émile Gaboriau was originally published in 1867 and we are now republishing it with a brand new introduction. 'The Mystery of Orcival' is one of Gaboriau's novels of crime and mystery. Émile Gaboriau was born in the small town of Saujon, Charente-Maritime, France. During his twenties, he became a secretary to Paul Féval – a an author now regarded as one of the fathers of modern crime fiction, whose Jean Diable (1862) is seen as the world's first modern detective novel.
The Rise of David Levinsky
A young Hasidic Jew seeks his fortune in New York's Lower East Side. He turns from his religious studies to focus on the business world, where he discovers the high price of assimilation.
Corpus Linguistics at Work
This work aims to provide insights into the way a corpus can be used, the type of findings that can be obtained, the possible applications of these findings as well as the theoretical changes that corpus work can bring into linguistics and language engineering. Topics include the rise of corpus linguistics, delexicalization, semantic prosodies and different corpora for different purposes.
The Vanishing American Jew
A well-known lawyer and best-selling author of Chutzpah argues that the dwindling of anti-Semitism in America actually threatens the Jewish community and outlines specific steps Jews can take to ensure their continuance in the next century. Reprint. 12,500 first printing.
A sixteen-year old illiterate woman cares for the elderly rector of a tumbledown church in a mountain hamlet, but when the town hall across from the church is converted into a dance hall, the narrator is recruited for some of the hall's finer clientele
No Borders No Limits
Volume 2 of the new Cinema Classics Collection from FAB Press! Drawing inspiration from Hollywood and the French New Wave, Nikkatsu Action pictures blended East and West, movie-fuelled fantasies and gritty realities of life in postwar Japan. No Borders No Limit includes a history of the studio, profiles of stars and directors, film reviews and career interviews with top figures including Joe Shishido, Toshio Masuda and Seijun Suzuki. It is the first ever book in English devoted entirely to this hugely influential film genre, and it is packed with colour illustrations.
Restored to print for the first time in more than forty years, The President was hailed by the New York Times as a “tour de force” At 82, the former premier lives in alert and suspicious retirement—self exile—on the Normandy coast, writing his anxiously anticipated memoirs and receiving visits from statesman and biographers. In his library is the self-condemning, handwritten confession of the premier’s former attaché, Chalamont, hidden between the pages of a sumptuously produced work of privately printed pornography—a confession that the premier himself had dictated and forced Chalamont to sign. Now the long-thwarted Chalamont has been summoned to form a new coalition in the wake of the government’s collapse. The premier alone possesses the secret of Chalamont’s guilt, of his true character—and has publicly vowed: “He’ll never be Premier as long as I’m alive... Nor when I’m dead, either.” Inspired by French Premier Georges Clemenceau, The President is a masterpiece of psychological suspense and a probing account of the decline of power. From the Trade Paperback edition.
I Wake Up Screening
George Stevens was the first to know - months before Frank D. Gilroy had even an inkling. As they scouted locations for The Only Game in Town in 1968, Stevens repeatedly handed Gilroy his viewfinder to consider possible scenes. Asked to explain why he was so insistent on this procedure, Stevens answered with certainty, "You're going to direct some day." Gilroy recalled Stevens' words two years later when, unhappy with the limited role of screenwriter, he optioned Desperate Characters by Paula Fox, determined not only to adapt her novel for the screen but to direct the film. Fortunately for film buffs, film historians, film students, and prospective independent film producers, Gilroy is a compulsive diarist who wrote I Wake Up Screening! while he made four independent feature films - each accorded three stars in Leonard Maltin's TV Movies and Video Guide - for a total investment of two million dollars (for all four films!). These intimate logs of the making of Desperate Characters, Once in Paris, The Gig, and The Luckiest Man in the World show clearly that a film school that doesn't include in its curriculum discussions of negotiating with the Teamsters and of raising money by independent producers is leaving out vital parts of the film-making process. Because Gilroy wrote the scripts, raised the money, assembled the production team, directed, opened each of the four films, and even ventured into the murky world of distribution, I Wake Up Screening! is a vast repository of information about film making in general and independent film making in particular. It is not recommended for anyone who wishes to preserve a fairy-tale notion about feature film making. When Gilroy first consideredpublishing these logs, his wife encouraged him. "Do it, " she said. "If it stops one person from following in your footsteps it will be worthwhile."